Entertainment Market by Applications (Books & Magazines, Films & Theatrical, Social Media, Music, Animation, Video Games, Outdoor Advertising, Radio & Broadcasting, Amusement Park/Facilities, Sports, Toys, And Arts) and Regions (Asia Pacific, North America, Latin America, Europe, and Middle East & Africa) - Global Industry Analysis, Growth, Share, Size, Trends, and Forecast 2021 – 2028
The global entertainment market size is projected to expand during the forecast period, 2021 – 2028. The growth of the market is attributed to the rising demand for entertainment sources and growing disposable income of a large number of population globally.
The global entertainment industry includes a number of firms that offer various entertainment services for the public use. The entertainment business is made up of a number of sub-groups such as live entertainment, musical entertainment, exhibition entertainment, mass media entertainment, and electronic entertainment. Circuses, comedy shows, athletic events, the performing arts, musical theater performances, and concerts are all examples of live entertainment. Orchestras and concert hall performances as well as vocal artists, composers, and musicians are key components of musical entertainment. Amusement parks, trade exhibits, and/or fairs are some examples of exhibition entertainment while film, the internet, and radio are major sources of mass media. Video games represent one of the most popular type of electronic entertainment.
In the recent years, the global entertainment market has undergone several transitions in terms of technology adoption and applications. Many major entertainment and media companies have been focusing to provide creative products and services to maintain their presence in the increasingly competitive market. E-books are getting more popular and are accounting for a significant amount of current book sales. As the general public can now view TV series and movies online, web-based entertainment is growing increasingly popular due to easily availability of online radio and digital downloads. In the entertainment business, cellular smartphones have also become a media device, with high-definition and three-dimensional televisions being manufactured and sold.
Market Trends, Drivers, Restraints, and Opportunities
- High penetration of smartphones as well as increasing view on-demand and live streaming of music and videos are key drivers for the market.
- Increasing number of TV subscribers and growing number of radio listeners, along with the rapid demand for video game are key factors driving the market.
- Growing popularity of outdoor advertisements and raising social media exposure by customers are expected to boost the growth of the market.
- Issues concerning to copying and enforcing of copyright laws are acting to be major challenge that can hamper the market expansion.
- Cyber-attacks on online sites are becoming more common, which pose another key challenge for the market growth.
- Rapid introduction of new technology such as 5G network broadband services, development of augmented reality, and virtual reality systems are anticipated to create opportunities for the market growth.
- Introduction of Artificial Intelligence (AI) is a key market trend, which is expected to have a positive impact on several industries especially the gaming sector. This is projected to fuel the market expansion.
Scope of the Report
The report on the global entertainment market includes an assessment of the market, trends, segments, and regional markets. Overview and dynamics have also been included in the report.
|
Attributes |
Details |
|
Report Title |
Entertainment Market - Global Industry Analysis, Growth, Share, Size, Trends, and Forecast |
|
Base Year |
2020 |
|
Historic Data |
2018–2019 |
|
Forecast Period |
2021–2028 |
|
Segmentation |
Applications (Books & Magazines, Films & Theatrical, Social Media, Music, Animation, Video Games, Outdoor Advertising, Radio & Broadcasting, Amusement Park/Facilities, Sports, Toys, and Arts) |
|
Regional Scope |
Asia Pacific, North America, Latin America, Europe, and Middle East & Africa |
|
Report Coverage |
Company Share, Market Analysis and Size, Competitive Landscape, Growth Factors, and Trends, and Revenue Forecast |
|
Key Players Covered in the Report |
Xaxis; Kerzner International Holdings Limited; Disney/ABC Television Group; CBS Radio; Belo Corp; Netflix Inc; Advance Publications Inc; Activision Blizzard Inc; and ACME Communications Inc. |
Entertainment Market Segment Insights
Radio & broadcasting segment is expected to hold a key share of the market
On the basis of applications, the global entertainment market is segmented into books & magazines, films & theatrical, social media, music, animation, video games, outdoor advertising, radio & broadcasting, amusement park/facilities, sports, toys, and arts. The radio & broadcasting segment is expected to hold a key share of the market owing to the easy availability of the entertainment online.
North America is expected to dominate the market
Based on regions, the global entertainment market is classified as Asia Pacific, North America, Latin America, Europe, and Middle East & Africa. North America is expected to account for a key share of the market during the forecast period due to the presence of many entertainment & media houses and significant investments by players in the region. Moreover, increasing digitization in terms of smartphone penetration and internet access, which has resulted in increased potential expansion of the entertainment market in this region.
Segments
Segments Covered in the Report
The global entertainment market has been segmented on the basis of
Applications
- Books & Magazines
- Films & Theatrical
- Social Media
- Music
- Animation
- Video Games
- Outdoor Advertising
- Radio & Broadcasting
- Amusement Park/Facilities
- Sports
- Toys
- Arts
Regions
- Asia Pacific
- North America
- Latin America
- Europe
- Middle East & Africa
Key Players
- Xaxis
- Kerzner International Holdings Limited
- Disney/ABC Television Group
- CBS Radio
- Belo Corp
- Netflix Inc
- Advance Publications Inc
- Activision Blizzard Inc
- ACME Communications Inc
Competitive Landscape
Some of the major players in the global entertainment market are Xaxis; Kerzner International Holdings Limited; Disney/ABC Television Group; CBS Radio; Belo Corp; Netflix Inc; Advance Publications Inc; Activision Blizzard Inc; and ACME Communications Inc.
1. Executive Summary
2. Assumptions and Acronyms Used
3. Research Methodology
4. Entertainment Market Overview
4.1. Introduction
4.1.1. Market Taxonomy
4.1.2. Market Definition
4.2. Macro-Economic Factors
4.2.1. Industry Outlook
4.3. Entertainment Market Dynamics
4.3.1. Market Drivers
4.3.2. Market Restraints
4.3.3. Opportunity
4.3.4. Market Trends
4.4. Entertainment Market - Supply Chain
4.5. Global Entertainment Market Forecast
4.5.1. Entertainment Market Size (US$ Mn) and Y-o-Y Growth
4.5.2. Entertainment Market Size (000’ Units) and Y-o-Y Growth
4.5.3. Entertainment Market Absolute $ Opportunity
5. Global Entertainment Market Analysis and Forecast by Applications
5.1. Market Trends
5.2. Introduction
5.2.1. Basis Point Share (BPS) Analysis by Applications
5.2.2. Y-o-Y Growth Projections by Applications
5.3. Entertainment Market Size and Volume Forecast by Applications
5.3.1. Books & Magazines
5.3.2. Films & Theatrical
5.3.3. Social Media
5.3.4. Music
5.3.5. Animation
5.3.6. Video Games
5.3.7. Outdoor Advertising
5.3.8. Radio & Broadcasting
5.3.9. Amusement Park/Facilities
5.3.10. Sports
5.4. Absolute $ Opportunity Assessment by Applications
5.5. Market Attractiveness/Growth Potential Analysis by Applications
6. Global Entertainment Market Analysis and Forecast by Region
6.1. Market Trends
6.2. Introduction
6.2.1. Basis Point Share (BPS) Analysis by Region
6.2.2. Y-o-Y Growth Projections by Region
6.3. Entertainment Market Size and Volume Forecast by Region
6.3.1. North America
6.3.2. Latin America
6.3.3. Europe
6.3.4. Asia Pacific
6.3.5. Middle East and Africa (MEA)
6.4. Absolute $ Opportunity Assessment by Region
6.5. Market Attractiveness/Growth Potential Analysis by Region
6.6. Global Entertainment Demand Share Forecast, 2019-2026
7. North America Entertainment Market Analysis and Forecast
7.1. Introduction
7.1.1. Basis Point Share (BPS) Analysis by Country
7.1.2. Y-o-Y Growth Projections by Country
7.2. North America Entertainment Market Size and Volume Forecast by Country
7.2.1. U.S.
7.2.2. Canada
7.3. Absolute $ Opportunity Assessment by Country
7.4. North America Entertainment Market Size and Volume Forecast by Applications
7.4.1. Books & Magazines
7.4.2. Films & Theatrical
7.4.3. Social Media
7.4.4. Music
7.4.5. Animation
7.4.6. Video Games
7.4.7. Outdoor Advertising
7.4.8. Radio & Broadcasting
7.4.9. Amusement Park/Facilities
7.4.10. Sports
7.5. Basis Point Share (BPS) Analysis by Applications
7.6. Y-o-Y Growth Projections by Applications
7.7. Market Attractiveness/Growth Potential Analysis
7.7.1. By Country
7.7.2. By Product Type
7.7.3. By Application
7.8. North America Entertainment Demand Share Forecast, 2019-2026
8. Latin America Entertainment Market Analysis and Forecast
8.1. Introduction
8.1.1. Basis Point Share (BPS) Analysis by Country
8.1.2. Y-o-Y Growth Projections by Country
8.1.3. Latin America Average Pricing Analysis
8.2. Latin America Entertainment Market Size and Volume Forecast by Country
8.2.1. Brazil
8.2.2. Mexico
8.2.3. Rest of Latin America
8.3. Absolute $ Opportunity Assessment by Country
8.4. Latin America Entertainment Market Size and Volume Forecast by Applications
8.4.1. Books & Magazines
8.4.2. Films & Theatrical
8.4.3. Social Media
8.4.4. Music
8.4.5. Animation
8.4.6. Video Games
8.4.7. Outdoor Advertising
8.4.8. Radio & Broadcasting
8.4.9. Amusement Park/Facilities
8.4.10. Sports
8.5. Basis Point Share (BPS) Analysis by Applications
8.6. Y-o-Y Growth Projections by Applications
8.7. Market Attractiveness/Growth Potential Analysis
8.7.1. By Country
8.7.2. By Product Type
8.7.3. By Application
8.8. Latin America Entertainment Demand Share Forecast, 2019-2026
9. Europe Entertainment Market Analysis and Forecast
9.1. Introduction
9.1.1. Basis Point Share (BPS) Analysis by Country
9.1.2. Y-o-Y Growth Projections by Country
9.1.3. Europe Average Pricing Analysis
9.2. Europe Entertainment Market Size and Volume Forecast by Country
9.2.1. Germany
9.2.2. France
9.2.3. Italy
9.2.4. U.K.
9.2.5. Spain
9.2.6. Russia
9.2.7. Rest of Europe
9.3. Absolute $ Opportunity Assessment by Country
9.4. Europe Entertainment Market Size and Volume Forecast by Applications
9.4.1. Books & Magazines
9.4.2. Films & Theatrical
9.4.3. Social Media
9.4.4. Music
9.4.5. Animation
9.4.6. Video Games
9.4.7. Outdoor Advertising
9.4.8. Radio & Broadcasting
9.4.9. Amusement Park/Facilities
9.4.10. Sports
9.5. Basis Point Share (BPS) Analysis by Applications
9.6. Y-o-Y Growth Projections by Applications
9.7. Market Attractiveness/Growth Potential Analysis
9.7.1. By Country
9.7.2. By Product Type
9.7.3. By Application
9.8. Europe Entertainment Demand Share Forecast, 2019-2026
10. Asia Pacific Entertainment Market Analysis and Forecast
10.1. Introduction
10.1.1. Basis Point Share (BPS) Analysis by Country
10.1.2. Y-o-Y Growth Projections by Country
10.1.3. Asia Pacific Average Pricing Analysis
10.2. Asia Pacific Entertainment Market Size and Volume Forecast by Country
10.2.1. China
10.2.2. Japan
10.2.3. South Korea
10.2.4. India
10.2.5. Australia
10.2.6. Rest of Asia Pacific (APAC)
10.3. Absolute $ Opportunity Assessment by Country
10.4. Asia Pacific Entertainment Market Size and Volume Forecast by Applications
10.4.1. Books & Magazines
10.4.2. Films & Theatrical
10.4.3. Social Media
10.4.4. Music
10.4.5. Animation
10.4.6. Video Games
10.4.7. Outdoor Advertising
10.4.8. Radio & Broadcasting
10.4.9. Amusement Park/Facilities
10.4.10. Sports
10.5. Basis Point Share (BPS) Analysis by Applications
10.6. Y-o-Y Growth Projections by Applications
10.7. Market Attractiveness/Growth Potential Analysis
10.7.1. By Country
10.7.2. By Product Type
10.7.3. By Application
10.8. Asia Pacific Entertainment Demand Share Forecast, 2019-2026
11. Middle East & Africa Entertainment Market Analysis and Forecast
11.1. Introduction
11.1.1. Basis Point Share (BPS) Analysis by Country
11.1.2. Y-o-Y Growth Projections by Country
11.1.3. Middle East & Africa Average Pricing Analysis
11.2. Middle East & Africa Entertainment Market Size and Volume Forecast by Country
11.2.1. Saudi Arabia
11.2.2. South Africa
11.2.3. UAE
11.2.4. Rest of Middle East & Africa (MEA)
11.3. Absolute $ Opportunity Assessment by Country
11.4. Middle East & Africa Entertainment Market Size and Volume Forecast by Applications
11.4.1. Books & Magazines
11.4.2. Films & Theatrical
11.4.3. Social Media
11.4.4. Music
11.4.5. Animation
11.4.6. Video Games
11.4.7. Outdoor Advertising
11.4.8. Radio & Broadcasting
11.4.9. Amusement Park/Facilities
11.4.10. Sports
11.5. Basis Point Share (BPS) Analysis by Applications
11.6. Y-o-Y Growth Projections by Applications
11.7. Market Attractiveness/Growth Potential Analysis
11.7.1. By Country
11.7.2. By Product Type
11.7.3. By Application
11.8. Middle East & Africa Entertainment Demand Share Forecast, 2019-2026
12. Competition Landscape
12.1. Global Entertainment Market: Market Share Analysis
12.2. Entertainment Distributors and Customers
12.3. Entertainment Market: Competitive Dashboard
12.4. Company Profiles (Details: Overview, Financials, Developments, Strategy)
12.4.1. Xaxis
12.4.2. Kerzner International Holdings Limited
12.4.3. Disney/ABC Television Group
12.4.4. CBS Radio
12.4.5. Belo Corp
12.4.6. Netflix Inc
12.4.7. Advance Publications Inc
12.4.8. Activision Blizzard Inc
12.4.9. ACME Communications Inc
2. Assumptions and Acronyms Used
3. Research Methodology
4. Entertainment Market Overview
4.1. Introduction
4.1.1. Market Taxonomy
4.1.2. Market Definition
4.2. Macro-Economic Factors
4.2.1. Industry Outlook
4.3. Entertainment Market Dynamics
4.3.1. Market Drivers
4.3.2. Market Restraints
4.3.3. Opportunity
4.3.4. Market Trends
4.4. Entertainment Market - Supply Chain
4.5. Global Entertainment Market Forecast
4.5.1. Entertainment Market Size (US$ Mn) and Y-o-Y Growth
4.5.2. Entertainment Market Size (000’ Units) and Y-o-Y Growth
4.5.3. Entertainment Market Absolute $ Opportunity
5. Global Entertainment Market Analysis and Forecast by Applications
5.1. Market Trends
5.2. Introduction
5.2.1. Basis Point Share (BPS) Analysis by Applications
5.2.2. Y-o-Y Growth Projections by Applications
5.3. Entertainment Market Size and Volume Forecast by Applications
5.3.1. Books & Magazines
5.3.2. Films & Theatrical
5.3.3. Social Media
5.3.4. Music
5.3.5. Animation
5.3.6. Video Games
5.3.7. Outdoor Advertising
5.3.8. Radio & Broadcasting
5.3.9. Amusement Park/Facilities
5.3.10. Sports
5.4. Absolute $ Opportunity Assessment by Applications
5.5. Market Attractiveness/Growth Potential Analysis by Applications
6. Global Entertainment Market Analysis and Forecast by Region
6.1. Market Trends
6.2. Introduction
6.2.1. Basis Point Share (BPS) Analysis by Region
6.2.2. Y-o-Y Growth Projections by Region
6.3. Entertainment Market Size and Volume Forecast by Region
6.3.1. North America
6.3.2. Latin America
6.3.3. Europe
6.3.4. Asia Pacific
6.3.5. Middle East and Africa (MEA)
6.4. Absolute $ Opportunity Assessment by Region
6.5. Market Attractiveness/Growth Potential Analysis by Region
6.6. Global Entertainment Demand Share Forecast, 2019-2026
7. North America Entertainment Market Analysis and Forecast
7.1. Introduction
7.1.1. Basis Point Share (BPS) Analysis by Country
7.1.2. Y-o-Y Growth Projections by Country
7.2. North America Entertainment Market Size and Volume Forecast by Country
7.2.1. U.S.
7.2.2. Canada
7.3. Absolute $ Opportunity Assessment by Country
7.4. North America Entertainment Market Size and Volume Forecast by Applications
7.4.1. Books & Magazines
7.4.2. Films & Theatrical
7.4.3. Social Media
7.4.4. Music
7.4.5. Animation
7.4.6. Video Games
7.4.7. Outdoor Advertising
7.4.8. Radio & Broadcasting
7.4.9. Amusement Park/Facilities
7.4.10. Sports
7.5. Basis Point Share (BPS) Analysis by Applications
7.6. Y-o-Y Growth Projections by Applications
7.7. Market Attractiveness/Growth Potential Analysis
7.7.1. By Country
7.7.2. By Product Type
7.7.3. By Application
7.8. North America Entertainment Demand Share Forecast, 2019-2026
8. Latin America Entertainment Market Analysis and Forecast
8.1. Introduction
8.1.1. Basis Point Share (BPS) Analysis by Country
8.1.2. Y-o-Y Growth Projections by Country
8.1.3. Latin America Average Pricing Analysis
8.2. Latin America Entertainment Market Size and Volume Forecast by Country
8.2.1. Brazil
8.2.2. Mexico
8.2.3. Rest of Latin America
8.3. Absolute $ Opportunity Assessment by Country
8.4. Latin America Entertainment Market Size and Volume Forecast by Applications
8.4.1. Books & Magazines
8.4.2. Films & Theatrical
8.4.3. Social Media
8.4.4. Music
8.4.5. Animation
8.4.6. Video Games
8.4.7. Outdoor Advertising
8.4.8. Radio & Broadcasting
8.4.9. Amusement Park/Facilities
8.4.10. Sports
8.5. Basis Point Share (BPS) Analysis by Applications
8.6. Y-o-Y Growth Projections by Applications
8.7. Market Attractiveness/Growth Potential Analysis
8.7.1. By Country
8.7.2. By Product Type
8.7.3. By Application
8.8. Latin America Entertainment Demand Share Forecast, 2019-2026
9. Europe Entertainment Market Analysis and Forecast
9.1. Introduction
9.1.1. Basis Point Share (BPS) Analysis by Country
9.1.2. Y-o-Y Growth Projections by Country
9.1.3. Europe Average Pricing Analysis
9.2. Europe Entertainment Market Size and Volume Forecast by Country
9.2.1. Germany
9.2.2. France
9.2.3. Italy
9.2.4. U.K.
9.2.5. Spain
9.2.6. Russia
9.2.7. Rest of Europe
9.3. Absolute $ Opportunity Assessment by Country
9.4. Europe Entertainment Market Size and Volume Forecast by Applications
9.4.1. Books & Magazines
9.4.2. Films & Theatrical
9.4.3. Social Media
9.4.4. Music
9.4.5. Animation
9.4.6. Video Games
9.4.7. Outdoor Advertising
9.4.8. Radio & Broadcasting
9.4.9. Amusement Park/Facilities
9.4.10. Sports
9.5. Basis Point Share (BPS) Analysis by Applications
9.6. Y-o-Y Growth Projections by Applications
9.7. Market Attractiveness/Growth Potential Analysis
9.7.1. By Country
9.7.2. By Product Type
9.7.3. By Application
9.8. Europe Entertainment Demand Share Forecast, 2019-2026
10. Asia Pacific Entertainment Market Analysis and Forecast
10.1. Introduction
10.1.1. Basis Point Share (BPS) Analysis by Country
10.1.2. Y-o-Y Growth Projections by Country
10.1.3. Asia Pacific Average Pricing Analysis
10.2. Asia Pacific Entertainment Market Size and Volume Forecast by Country
10.2.1. China
10.2.2. Japan
10.2.3. South Korea
10.2.4. India
10.2.5. Australia
10.2.6. Rest of Asia Pacific (APAC)
10.3. Absolute $ Opportunity Assessment by Country
10.4. Asia Pacific Entertainment Market Size and Volume Forecast by Applications
10.4.1. Books & Magazines
10.4.2. Films & Theatrical
10.4.3. Social Media
10.4.4. Music
10.4.5. Animation
10.4.6. Video Games
10.4.7. Outdoor Advertising
10.4.8. Radio & Broadcasting
10.4.9. Amusement Park/Facilities
10.4.10. Sports
10.5. Basis Point Share (BPS) Analysis by Applications
10.6. Y-o-Y Growth Projections by Applications
10.7. Market Attractiveness/Growth Potential Analysis
10.7.1. By Country
10.7.2. By Product Type
10.7.3. By Application
10.8. Asia Pacific Entertainment Demand Share Forecast, 2019-2026
11. Middle East & Africa Entertainment Market Analysis and Forecast
11.1. Introduction
11.1.1. Basis Point Share (BPS) Analysis by Country
11.1.2. Y-o-Y Growth Projections by Country
11.1.3. Middle East & Africa Average Pricing Analysis
11.2. Middle East & Africa Entertainment Market Size and Volume Forecast by Country
11.2.1. Saudi Arabia
11.2.2. South Africa
11.2.3. UAE
11.2.4. Rest of Middle East & Africa (MEA)
11.3. Absolute $ Opportunity Assessment by Country
11.4. Middle East & Africa Entertainment Market Size and Volume Forecast by Applications
11.4.1. Books & Magazines
11.4.2. Films & Theatrical
11.4.3. Social Media
11.4.4. Music
11.4.5. Animation
11.4.6. Video Games
11.4.7. Outdoor Advertising
11.4.8. Radio & Broadcasting
11.4.9. Amusement Park/Facilities
11.4.10. Sports
11.5. Basis Point Share (BPS) Analysis by Applications
11.6. Y-o-Y Growth Projections by Applications
11.7. Market Attractiveness/Growth Potential Analysis
11.7.1. By Country
11.7.2. By Product Type
11.7.3. By Application
11.8. Middle East & Africa Entertainment Demand Share Forecast, 2019-2026
12. Competition Landscape
12.1. Global Entertainment Market: Market Share Analysis
12.2. Entertainment Distributors and Customers
12.3. Entertainment Market: Competitive Dashboard
12.4. Company Profiles (Details: Overview, Financials, Developments, Strategy)
12.4.1. Xaxis
12.4.2. Kerzner International Holdings Limited
12.4.3. Disney/ABC Television Group
12.4.4. CBS Radio
12.4.5. Belo Corp
12.4.6. Netflix Inc
12.4.7. Advance Publications Inc
12.4.8. Activision Blizzard Inc
12.4.9. ACME Communications Inc
Segments Covered in the Report
The global entertainment market has been segmented on the basis of
Applications
- Books & Magazines
- Films & Theatrical
- Social Media
- Music
- Animation
- Video Games
- Outdoor Advertising
- Radio & Broadcasting
- Amusement Park/Facilities
- Sports
- Toys
- Arts
Regions
- Asia Pacific
- North America
- Latin America
- Europe
- Middle East & Africa
Key Players
- Xaxis
- Kerzner International Holdings Limited
- Disney/ABC Television Group
- CBS Radio
- Belo Corp
- Netflix Inc
- Advance Publications Inc
- Activision Blizzard Inc
- ACME Communications Inc
Some of the major players in the global entertainment market are Xaxis; Kerzner International Holdings Limited; Disney/ABC Television Group; CBS Radio; Belo Corp; Netflix Inc; Advance Publications Inc; Activision Blizzard Inc; and ACME Communications Inc.
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