Cinematography Lenses Market

Global Cinematography Lenses Market By Type (Entry-class, High-end-class, Medium-class), By Function (Prime Lenses, Zoom Lenses), By Resolution (2K, 4K, Others), By Focal Length (Medium Telephoto (70–135 mm), Normal (35–70 mm), Telephoto (>135 mm), and Wide-angle (14–35 mm)), By End-user (Amateur, Professional), By Sensor Size (Full Frame, Super 35/APS-C), By Sales Revenue (Rental and Sales), and Region (North America, Europe, Asia Pacific, Latin America, and Middle East & Africa)

  • Report ID: CG-209
  • Author: Growth Market Reports
  • Rating: 4.9
  • Total Reviews: 2
  • No. Of Pages: 376
  • Format:
  • Pub. Date: 16-02-2021
  • Share:

Market Outlook:

The Global Cinematography Lenses market was valued at USD 3,461.9 million in 2019 and is projected to reach USD 4,184.7 million by 2027, expanding at a CAGR of 3.2% during the forecast period. Cinematography is the art and craft of making motion pictures by capturing and presenting story visually. Technically, it is the art and science of recording light, electronically and chemically into an image sensor and film, respectively. Cinematography lenses are widely used by filmmakers owing to their advantages and benefits. These lenses are excellent at focusing on the subject and provide precise and smoother images and videos than the still lenses used for focusing. Cinematography lenses are made up of high-quality optical glass. These lenses are produced with utmost perfection and adhere to standard that increase their cost. Several parameters such as focal length, resolution, function, sensor size, and type of lens need to be considered before choosing the lens. These parameters are mapped on the basis of the application of lens by filmmakers.

1 Global Cinematography Lenses Market Summary

Market Dynamics
The global cinematography lenses market is driven by the factors such as increasing demand for full-frame cinematography lenses, rapid growth of the film industry, high demand for the production of 3D animated movies & TV content.

Growing popularity of movies among people has increased the focus of film makers on the production of films and cinema. The advent of new technology in the film industry and increasing adoption of technology for creating visual effects in cinematography have boosted the demand for cinematography lenses. Various factors such as on-screen visual elements, lighting, composing, camera motion, framing, camera angles, lens choices, zoom, depth of field, focus, color, exposure, and filtration settings help in creating superior cinematography, which entails the use of advanced lenses. This, in turn, is expected to propel the demand for cinematography lenses. Moreover, rise in the demand for 3D movies has propelled the adoption of advanced lenses, which is expected to boost the need for cinematography lenses during the forecast period.

Rising consumer demand for watching films based on trending topics and advanced technology for entertainment is expected to propel the need for advanced lenses used in the production of documentaries, movies, series, and short films to capture images and videos in high clarity. Professional filmmaking and production units require various equipment, such as lighting systems, sound systems, and cameras for the production of films. Growing number of small and medium cinema production firms globally is expected to drive the demand for cinematography lenses for their production units and facility. Rise in usage of advanced cinematography lenses by filmmakers is expected to propel the market growth during the forecast period.

Cinematography lenses allow the changing of aperture to improve the control to provide superior quality of videos. Advantages and benefits offered by cinema lenses increase the cost of products. Moreover, additional costs associated with the products for regular maintenance and cleaning are moderately high. The cost of these lens is decided on the basis of its specifications, size, and features offered by the lens. Thus, the high cost of cinematography lenses is expected to hinder the market growth during the forecast period.

Segmental Outlook

By type, the cinematography lenses market has been segmented into entry-class, high-end-class, and medium-class. The high-end class segment held a significant market share in 2019 and is expected to expand at a significant CAGR during the forecast period. The segmental growth is attributed to the rising adoption of high-end lenses for shooting short films, documentaries, and vlogs. Moreover, increasing number of professional cinematographers across the globe is anticipated to contribute to the segmental growth.

2 Global Cinematography Lenses Market By Type

By function, the global cinematography lenses market has been segmented into prime lenses and zoom lenses. The zoom lenses segment is projected to expand at a substantial CAGR during the forecast period. Rising number of films and increasing investment in the production of films are some of the major factors driving the growth of the market.

By resolution, the cinematography lenses market has been divided into 2K, 4K, and others. The 4K segment held a considerable share of the market in 2019. Introduction of advanced technology and rising demand for high-resolution films has led to the adoption of the 4K technology. The rise in the movie theaters and cinema projectors has resulted in the rising adoption of 4K technologies, which in turn contributes to the adoption of 4K technologies.

Based on focal length, the cinematography lenses market has been categorized into medium telephoto (70–135 mm), normal (35–70 mm), telephoto (>135 mm), and wide-angle (14–35 mm). The wide-angle (14–35 mm) segment is anticipated to expand at a moderate CAGR during the forecast period. Adoption of wide-angle lenses for shooting films to obtain a deep depth of field and increased focus of the lens are some of the major factors contributing to the rising adoption of the wide-angle lens.

3 Global Cinematography Lenses Market By Focal Length

On the basis of end-user, the market has been classified into amateur and professional. The amateur segment held a substantial market share in 2019 and is anticipated to expand at a moderate CAGR during the forecast period, 2020–2027. Availability of variety of lenses and increasing adoption of cinematography as a hobby has led to the rise in the number of amateur cinematographers, thereby boosting the demand for the cinematography lenses.

By sensor size, the market has been segmented into full frame and super 35/APS-C. The full frame segment held a considerable market share in 2019; however, the super 35/APS-C is expected to expand at a highest CAGR during the forecast period. Increasing demand for the super 35/APS-C sensor-based camera owing to its ability to produce high quality images is driving the adoption of super 35/APS-C cinematography lenses.

Based on sales revenue, the global cinematography lenses market has been categorized into sales and rental. The rental segment dominated the market in 2019 and is expected to continue its dominance during the forecast period. Rental services are low in costs and offers a wide range of new lenses at low prices. Thus, most of the end-users prefer lenses on a rental basis, thereby spurring the segmental growth.

Regional Outlook

In terms of regions, the global cinematography lenses market is fragmented into North America, Europe, Asia Pacific, Latin America, and Middle East & Africa. The market in Asia Pacific is projected to hold significant market share during the forecast period, followed by North America. The regional growth is attributed to the rising popularity of the film production and strong presence of the market players in this region.

4 Global Cinematography Lenses Market By Region

Key Benefits for Industry Participants & Stakeholders

  • In-depth Analysis of the Global Cinematography Lenses Market
  • Historical, Current and Projected Market Size in terms of Value
  • Potential & Niche Segments and Regions Exhibiting Promising Growth Covered
  • Industry Drivers, Restraints and Opportunities Covered in the Study
  • Recent Industry Trends and Developments
  • Competitive Landscape & Strategies of Key Players
  • Neutral Perspective on Global Cinematography Lenses Market Performance
Chapter 1 Executive Summary
Chapter 2 Assumptions and Acronyms Used
Chapter 3 Research Methodology
Chapter 4 Cinematography Lenses Market Overview
   4.1 Introduction
      4.1.1 Market Taxonomy
      4.1.2 Market Definition
      4.1.3 Macro-Economic Factors Impacting the Market Growth
   4.2 Cinematography Lenses Market Dynamics
      4.2.1 Market Drivers
      4.2.2 Market Restraints
      4.2.3 Market Opportunity
   4.3 Cinematography Lenses Market - Supply Chain Analysis
      4.3.1 List of Key Suppliers
      4.3.2 List of Key Distributors
      4.3.3 List of Key Consumers
   4.4 Key Forces Shaping the Cinematography Lenses Market
      4.4.1 Bargaining Power of Suppliers
      4.4.2 Bargaining Power of Buyers
      4.4.3 Threat of Substitution
      4.4.4 Threat of New Entrants
      4.4.5 Competitive Rivalry
   4.5 Global Cinematography Lenses Market Size & Forecast, 2017-2027
      4.5.1 Cinematography Lenses Market Size and Y-o-Y Growth
      4.5.2 Cinematography Lenses Market Absolute $ Opportunity
   4.6 Technology Roadmap Overview
   4.7 Latest Introductions in Lens Technology
   4.8 New Product Launches (Past Five Years)
Chapter 5 Global Cinematography Lenses Market Analysis and Forecast By Type
   5.1 Introduction
      5.1.1 Key Market Trends & Growth Opportunities By Type
      5.1.2 Basis Point Share (BPS) Analysis By Type
      5.1.3 Absolute $ Opportunity Assessment By Type
   5.2 Cinematography Lenses Market Size Forecast By Type
      5.2.1 Entry-class
      5.2.2 Medium-class
      5.2.3 High-end-class
   5.3 Market Attractiveness Analysis By Type
Chapter 6 Global Cinematography Lenses Market Analysis and Forecast By Function
   6.1 Introduction
      6.1.1 Key Market Trends & Growth Opportunities By Function
      6.1.2 Basis Point Share (BPS) Analysis By Function
      6.1.3 Absolute $ Opportunity Assessment By Function
   6.2 Cinematography Lenses Market Size Forecast By Function
      6.2.1 Prime Lenses
      6.2.2 Zoom Lenses
   6.3 Market Attractiveness Analysis By Function
Chapter 7 Global Cinematography Lenses Market Analysis and Forecast By Resolution
   7.1 Introduction
      7.1.1 Key Market Trends & Growth Opportunities By Resolution
      7.1.2 Basis Point Share (BPS) Analysis By Resolution
      7.1.3 Absolute $ Opportunity Assessment By Resolution
   7.2 Cinematography Lenses Market Size Forecast By Resolution
      7.2.1 2K
      7.2.2 4K
      7.2.3 Others(6K and 8K)
   7.3 Market Attractiveness Analysis By Resolution
Chapter 8 Global Cinematography Lenses Market Analysis and Forecast By Focal Length
   8.1 Introduction
      8.1.1 Key Market Trends & Growth Opportunities By Focal Length
      8.1.2 Basis Point Share (BPS) Analysis By Focal Length
      8.1.3 Absolute $ Opportunity Assessment By Focal Length
   8.2 Cinematography Lenses Market Size Forecast By Focal Length
      8.2.1 Wide-angle (14–35 mm)
      8.2.2 Normal (35–70 mm)
      8.2.3 Medium Telephoto (70–135 mm)
      8.2.4 Telephoto (>135 mm)
   8.3 Market Attractiveness Analysis By Focal Length
Chapter 9 Global Cinematography Lenses Market Analysis and Forecast By End-user
   9.1 Introduction
      9.1.1 Key Market Trends & Growth Opportunities By End-user
      9.1.2 Basis Point Share (BPS) Analysis By End-user
      9.1.3 Absolute $ Opportunity Assessment By End-user
   9.2 Cinematography Lenses Market Size Forecast By End-user
      9.2.1 Amateur
      9.2.2 Professional
   9.3 Market Attractiveness Analysis By End-user
Chapter 10 Global Cinematography Lenses Market Analysis and Forecast By Sensor Size
   10.1 Introduction
      10.1.1 Key Market Trends & Growth Opportunities By Sensor Size
      10.1.2 Basis Point Share (BPS) Analysis By Sensor Size
      10.1.3 Absolute $ Opportunity Assessment By Sensor Size
   10.2 Cinematography Lenses Market Size Forecast By Sensor Size
      10.2.1 Full Frame
      10.2.2 Super 35/APS-C
   10.3 Market Attractiveness Analysis By Sensor Size
Chapter 11 Global Cinematography Lenses Market Analysis and Forecast By Sales Revenue
   11.1 Introduction
      11.1.1 Key Market Trends & Growth Opportunities By Sales Revenue
      11.1.2 Basis Point Share (BPS) Analysis By Sales Revenue
      11.1.3 Absolute $ Opportunity Assessment By Sales Revenue
   11.2 Cinematography Lenses Market Size Forecast By Sales Revenue
      11.2.1 Sales
      11.2.2 Rental
   11.3 Market Attractiveness Analysis By Sales Revenue
Chapter 12 Global Cinematography Lenses Market Analysis and Forecast by Region
   12.1 Introduction
      12.1.1 Key Market Trends & Growth Opportunities by Region
      12.1.2 Basis Point Share (BPS) Analysis by Region
      12.1.3 Absolute $ Opportunity Assessment by Region
   12.2 Cinematography Lenses Market Size Forecast by Region
      12.2.1 North America
      12.2.2 Europe
      12.2.3 Asia Pacific
      12.2.4 Latin America
      12.2.5 Middle East & Africa (MEA)
   12.3 Market Attractiveness Analysis by Region
Chapter 13 Coronavirus Disease (COVID-19) Impact
   13.1 Introduction
   13.2 Current & Future Impact Analysis
   13.3 Economic Impact Analysis
   13.4 Government Policies
   13.5 Investment Scenario
Chapter 14 North America Cinematography Lenses Analysis and Forecast
   14.1 Introduction
   14.2 North America Cinematography Lenses Market Size Forecast by Country
      14.2.1 U.S.
      14.2.2 Canada
   14.3 Basis Point Share (BPS) Analysis by Country
   14.4 Absolute $ Opportunity Assessment by Country
   14.5 Market Attractiveness Analysis by Country
   14.6 North America Cinematography Lenses Market Size Forecast By Type
      14.6.1 Entry-class
      14.6.2 Medium-class
      14.6.3 High-end-class
   14.7 Basis Point Share (BPS) Analysis By Type
   14.8 Absolute $ Opportunity Assessment By Type
   14.9 Market Attractiveness Analysis By Type
   14.10 North America Cinematography Lenses Market Size Forecast By Function
      14.10.1 Prime Lenses
      14.10.2 Zoom Lenses
   14.11 Basis Point Share (BPS) Analysis By Function
   14.12 Absolute $ Opportunity Assessment By Function
   14.13 Market Attractiveness Analysis By Function
   14.14 North America Cinematography Lenses Market Size Forecast By Resolution
      14.14.1 2K
      14.14.2 4K
      14.14.3 Others(6K and 8K)
   14.15 Basis Point Share (BPS) Analysis By Resolution
   14.16 Absolute $ Opportunity Assessment By Resolution
   14.17 Market Attractiveness Analysis By Resolution
   14.18 North America Cinematography Lenses Market Size Forecast By Focal Length
      14.18.1 Wide-angle (14–35 mm)
      14.18.2 Normal (35–70 mm)
      14.18.3 Medium Telephoto (70–135 mm)
      14.18.4 Telephoto (>135 mm)
   14.19 Basis Point Share (BPS) Analysis By Focal Length
   14.20 Absolute $ Opportunity Assessment By Focal Length
   14.21 Market Attractiveness Analysis By Focal Length
   14.22 North America Cinematography Lenses Market Size Forecast By End-user
      14.22.1 Amateur
      14.22.2 Professional
   14.23 Basis Point Share (BPS) Analysis By End-user
   14.24 Absolute $ Opportunity Assessment By End-user
   14.25 Market Attractiveness Analysis By End-user
   14.26 North America Cinematography Lenses Market Size Forecast By Sensor Size
      14.26.1 Full Frame
      14.26.2 Super 35/APS-C
   14.27 Basis Point Share (BPS) Analysis By Sensor Size
   14.28 Absolute $ Opportunity Assessment By Sensor Size
   14.29 Market Attractiveness Analysis By Sensor Size
   14.30 North America Cinematography Lenses Market Size Forecast By Sales Revenue
      14.30.1 Sales
      14.30.2 Rental
   14.31 Basis Point Share (BPS) Analysis By Sales Revenue
   14.32 Absolute $ Opportunity Assessment By Sales Revenue
   14.33 Market Attractiveness Analysis By Sales Revenue
Chapter 15 Europe Cinematography Lenses Analysis and Forecast
   15.1 Introduction
   15.2 Europe Cinematography Lenses Market Size Forecast by Country
      15.2.1 Germany
      15.2.2 France
      15.2.3 Italy
      15.2.4 U.K.
      15.2.5 Spain
      15.2.6 Russia
      15.2.7 Rest of Europe
   15.3 Basis Point Share (BPS) Analysis by Country
   15.4 Absolute $ Opportunity Assessment by Country
   15.5 Market Attractiveness Analysis by Country
   15.6 Europe Cinematography Lenses Market Size Forecast By Type
      15.6.1 Entry-class
      15.6.2 Medium-class
      15.6.3 High-end-class
   15.7 Basis Point Share (BPS) Analysis By Type
   15.8 Absolute $ Opportunity Assessment By Type
   15.9 Market Attractiveness Analysis By Type
   15.10 Europe Cinematography Lenses Market Size Forecast By Function
      15.10.1 Prime Lenses
      15.10.2 Zoom Lenses
   15.11 Basis Point Share (BPS) Analysis By Function
   15.12 Absolute $ Opportunity Assessment By Function
   15.13 Market Attractiveness Analysis By Function
   15.14 Europe Cinematography Lenses Market Size Forecast By Resolution
      15.14.1 2K
      15.14.2 4K
      15.14.3 Others(6K and 8K)
   15.15 Basis Point Share (BPS) Analysis By Resolution
   15.16 Absolute $ Opportunity Assessment By Resolution
   15.17 Market Attractiveness Analysis By Resolution
   15.18 Europe Cinematography Lenses Market Size Forecast By Focal Length
      15.18.1 Wide-angle (14–35 mm)
      15.18.2 Normal (35–70 mm)
      15.18.3 Medium Telephoto (70–135 mm)
      15.18.4 Telephoto (>135 mm)
   15.19 Basis Point Share (BPS) Analysis By Focal Length
   15.20 Absolute $ Opportunity Assessment By Focal Length
   15.21 Market Attractiveness Analysis By Focal Length
   15.22 Europe Cinematography Lenses Market Size Forecast By End-user
      15.22.1 Amateur
      15.22.2 Professional
   15.23 Basis Point Share (BPS) Analysis By End-user
   15.24 Absolute $ Opportunity Assessment By End-user
   15.25 Market Attractiveness Analysis By End-user
   15.26 Europe Cinematography Lenses Market Size Forecast By Sensor Size
      15.26.1 Full Frame
      15.26.2 Super 35/APS-C
   15.27 Basis Point Share (BPS) Analysis By Sensor Size
   15.28 Absolute $ Opportunity Assessment By Sensor Size
   15.29 Market Attractiveness Analysis By Sensor Size
   15.30 Europe Cinematography Lenses Market Size Forecast By Sales Revenue
      15.30.1 Sales
      15.30.2 Rental
   15.31 Basis Point Share (BPS) Analysis By Sales Revenue
   15.32 Absolute $ Opportunity Assessment By Sales Revenue
   15.33 Market Attractiveness Analysis By Sales Revenue
Chapter 16 Asia Pacific Cinematography Lenses Analysis and Forecast
   16.1 Introduction
   16.2 Asia Pacific Cinematography Lenses Market Size Forecast by Country
      16.2.1 China
      16.2.2 Japan
      16.2.3 South Korea
      16.2.4 India
      16.2.5 Australia
      16.2.6 South East Asia (SEA)
      16.2.7 Rest of Asia Pacific (APAC)
   16.3 Basis Point Share (BPS) Analysis by Country
   16.4 Absolute $ Opportunity Assessment by Country
   16.5 Market Attractiveness Analysis by Country
   16.6 Asia Pacific Cinematography Lenses Market Size Forecast By Type
      16.6.1 Entry-class
      16.6.2 Medium-class
      16.6.3 High-end-class
   16.7 Basis Point Share (BPS) Analysis By Type
   16.8 Absolute $ Opportunity Assessment By Type
   16.9 Market Attractiveness Analysis By Type
   16.10 Asia Pacific Cinematography Lenses Market Size Forecast By Function
      16.10.1 Prime Lenses
      16.10.2 Zoom Lenses
   16.11 Basis Point Share (BPS) Analysis By Function
   16.12 Absolute $ Opportunity Assessment By Function
   16.13 Market Attractiveness Analysis By Function
   16.14 Asia Pacific Cinematography Lenses Market Size Forecast By Resolution
      16.14.1 2K
      16.14.2 4K
      16.14.3 Others(6K and 8K)
   16.15 Basis Point Share (BPS) Analysis By Resolution
   16.16 Absolute $ Opportunity Assessment By Resolution
   16.17 Market Attractiveness Analysis By Resolution
   16.18 Asia Pacific Cinematography Lenses Market Size Forecast By Focal Length
      16.18.1 Wide-angle (14–35 mm)
      16.18.2 Normal (35–70 mm)
      16.18.3 Medium Telephoto (70–135 mm)
      16.18.4 Telephoto (>135 mm)
   16.19 Basis Point Share (BPS) Analysis By Focal Length
   16.20 Absolute $ Opportunity Assessment By Focal Length
   16.21 Market Attractiveness Analysis By Focal Length
   16.22 Asia Pacific Cinematography Lenses Market Size Forecast By End-user
      16.22.1 Amateur
      16.22.2 Professional
   16.23 Basis Point Share (BPS) Analysis By End-user
   16.24 Absolute $ Opportunity Assessment By End-user
   16.25 Market Attractiveness Analysis By End-user
   16.26 Asia Pacific Cinematography Lenses Market Size Forecast By Sensor Size
      16.26.1 Full Frame
      16.26.2 Super 35/APS-C
   16.27 Basis Point Share (BPS) Analysis By Sensor Size
   16.28 Absolute $ Opportunity Assessment By Sensor Size
   16.29 Market Attractiveness Analysis By Sensor Size
   16.30 Asia Pacific Cinematography Lenses Market Size Forecast By Sales Revenue
      16.30.1 Sales
      16.30.2 Rental
   16.31 Basis Point Share (BPS) Analysis By Sales Revenue
   16.32 Absolute $ Opportunity Assessment By Sales Revenue
   16.33 Market Attractiveness Analysis By Sales Revenue
Chapter 17 Latin America Cinematography Lenses Analysis and Forecast
   17.1 Introduction
   17.2 Latin America Cinematography Lenses Market Size Forecast by Country
      17.2.1 Brazil
      17.2.2 Mexico
      17.2.3 Rest of Latin America (LATAM)
   17.3 Basis Point Share (BPS) Analysis by Country
   17.4 Absolute $ Opportunity Assessment by Country
   17.5 Market Attractiveness Analysis by Country
   17.6 Latin America Cinematography Lenses Market Size Forecast By Type
      17.6.1 Entry-class
      17.6.2 Medium-class
      17.6.3 High-end-class
   17.7 Basis Point Share (BPS) Analysis By Type
   17.8 Absolute $ Opportunity Assessment By Type
   17.9 Market Attractiveness Analysis By Type
   17.10 Latin America Cinematography Lenses Market Size Forecast By Function
      17.10.1 Prime Lenses
      17.10.2 Zoom Lenses
   17.11 Basis Point Share (BPS) Analysis By Function
   17.12 Absolute $ Opportunity Assessment By Function
   17.13 Market Attractiveness Analysis By Function
   17.14 Latin America Cinematography Lenses Market Size Forecast By Resolution
      17.14.1 2K
      17.14.2 4K
      17.14.3 Others(6K and 8K)
   17.15 Basis Point Share (BPS) Analysis By Resolution
   17.16 Absolute $ Opportunity Assessment By Resolution
   17.17 Market Attractiveness Analysis By Resolution
   17.18 Latin America Cinematography Lenses Market Size Forecast By Focal Length
      17.18.1 Wide-angle (14–35 mm)
      17.18.2 Normal (35–70 mm)
      17.18.3 Medium Telephoto (70–135 mm)
      17.18.4 Telephoto (>135 mm)
   17.19 Basis Point Share (BPS) Analysis By Focal Length
   17.20 Absolute $ Opportunity Assessment By Focal Length
   17.21 Market Attractiveness Analysis By Focal Length
   17.22 Latin America Cinematography Lenses Market Size Forecast By End-user
      17.22.1 Amateur
      17.22.2 Professional
   17.23 Basis Point Share (BPS) Analysis By End-user
   17.24 Absolute $ Opportunity Assessment By End-user
   17.25 Market Attractiveness Analysis By End-user
   17.26 Latin America Cinematography Lenses Market Size Forecast By Sensor Size
      17.26.1 Full Frame
      17.26.2 Super 35/APS-C
   17.27 Basis Point Share (BPS) Analysis By Sensor Size
   17.28 Absolute $ Opportunity Assessment By Sensor Size
   17.29 Market Attractiveness Analysis By Sensor Size
   17.30 Latin America Cinematography Lenses Market Size Forecast By Sales Revenue
      17.30.1 Sales
      17.30.2 Rental
   17.31 Basis Point Share (BPS) Analysis By Sales Revenue
   17.32 Absolute $ Opportunity Assessment By Sales Revenue
   17.33 Market Attractiveness Analysis By Sales Revenue
Chapter 18 Middle East & Africa (MEA) Cinematography Lenses Analysis and Forecast
   18.1 Introduction
   18.2 Middle East & Africa (MEA) Cinematography Lenses Market Size Forecast by Country
      18.2.1 Saudi Arabia
      18.2.2 South Africa
      18.2.3 UAE
      18.2.4 Rest of Middle East & Africa (MEA)
   18.3 Basis Point Share (BPS) Analysis by Country
   18.4 Absolute $ Opportunity Assessment by Country
   18.5 Market Attractiveness Analysis by Country
   18.6 Middle East & Africa (MEA) Cinematography Lenses Market Size Forecast By Type
      18.6.1 Entry-class
      18.6.2 Medium-class
      18.6.3 High-end-class
   18.7 Basis Point Share (BPS) Analysis By Type
   18.8 Absolute $ Opportunity Assessment By Type
   18.9 Market Attractiveness Analysis By Type
   18.10 Middle East & Africa (MEA) Cinematography Lenses Market Size Forecast By Function
      18.10.1 Prime Lenses
      18.10.2 Zoom Lenses
   18.11 Basis Point Share (BPS) Analysis By Function
   18.12 Absolute $ Opportunity Assessment By Function
   18.13 Market Attractiveness Analysis By Function
   18.14 Middle East & Africa (MEA) Cinematography Lenses Market Size Forecast By Resolution
      18.14.1 2K
      18.14.2 4K
      18.14.3 Others(6K and 8K)
   18.15 Basis Point Share (BPS) Analysis By Resolution
   18.16 Absolute $ Opportunity Assessment By Resolution
   18.17 Market Attractiveness Analysis By Resolution
   18.18 Middle East & Africa (MEA) Cinematography Lenses Market Size Forecast By Focal Length
      18.18.1 Wide-angle (14–35 mm)
      18.18.2 Normal (35–70 mm)
      18.18.3 Medium Telephoto (70–135 mm)
      18.18.4 Telephoto (>135 mm)
   18.19 Basis Point Share (BPS) Analysis By Focal Length
   18.20 Absolute $ Opportunity Assessment By Focal Length
   18.21 Market Attractiveness Analysis By Focal Length
   18.22 Middle East & Africa (MEA) Cinematography Lenses Market Size Forecast By End-user
      18.22.1 Amateur
      18.22.2 Professional
   18.23 Basis Point Share (BPS) Analysis By End-user
   18.24 Absolute $ Opportunity Assessment By End-user
   18.25 Market Attractiveness Analysis By End-user
   18.26 Middle East & Africa (MEA) Cinematography Lenses Market Size Forecast By Sensor Size
      18.26.1 Full Frame
      18.26.2 Super 35/APS-C
   18.27 Basis Point Share (BPS) Analysis By Sensor Size
   18.28 Absolute $ Opportunity Assessment By Sensor Size
   18.29 Market Attractiveness Analysis By Sensor Size
   18.30 Middle East & Africa (MEA) Cinematography Lenses Market Size Forecast By Sales Revenue
      18.30.1 Sales
      18.30.2 Rental
   18.31 Basis Point Share (BPS) Analysis By Sales Revenue
   18.32 Absolute $ Opportunity Assessment By Sales Revenue
   18.33 Market Attractiveness Analysis By Sales Revenue
Chapter 19 Competition Landscape
   19.1 Cinematography Lenses Market: Competitive Dashboard
   19.2 Global Cinematography Lenses Market: Market Share Analysis, 2019
   19.3 Company Profiles (Details – Overview, Financials, Developments, Strategy)
      19.3.1 Carl Zeiss AG
      19.3.2 Cooke Optics Limited
      19.3.3 Nikon Corporation
      19.3.4 ARRI AG
      19.3.5 Canon Inc.
      19.3.6 FUJIFILM Corporation
      19.3.7 Ernst Leitz Wetzlar GmbH
      19.3.8 SAMYANG Optics
      19.3.9 Jos. Schneider Optische Werke GmbH
      19.3.10 SIGMA Corporation
      19.3.11 Sony Corporation
      19.3.12 Kenko Tokina Co., Ltd.
Key Segments Covered
By Type
  • Entry-class
  • High-end-class
  • Medium-class
By Function
  • Prime Lenses
  • Zoom Lenses
By Resolution
  • 2K
  • 4K
  • Others
By Focal Length
  • Medium Telephoto (70–135 mm)
  • Normal (35–70 mm)
  • Telephoto (>135 mm)
  • Wide-angle (14–35 mm)
By End-user
  • Amateur
  • Professional
By Sensor Size
  • Full Frame
  • Super 35/APS-C
By Sales Revenue
  • Rental
  • Sales
By Region
  • North America
    • U.S.
    • Canada
  • Europe
    • Germany
    • France
    • Italy
    • U.K.
    • Spain
    • Russia
    • Rest of the Europe
  • Asia Pacific
    • China
    • Japan
    • South Korea
    • India
    • Australia
    • South East Asia
    • Rest of Asia Pacific
  • Latin America
    • Brazil
    • Mexico
    • Rest of Latin America
  • Middle East & Africa
    • Saudi Arabia
    • South Africa
    • UAE
    • Rest of Middle East & Africa

Key Market Players Profiled in the Report
  • Carl Zeiss AG
  • Cooke Optics Limited
  • Nikon Corporation
  • ARRI AG
  • Canon Inc.
  • FUJIFILM Corporation
  • Ernst Leitz Wetzlar GmbH
  • SAMYANG Optics
  • Jos. Schneider Optische Werke GmbH
  • SIGMA Corporation
  • Sony Corporation
  • Kenko Tokina Co., Ltd.
  • Key players in the market include Canon Inc., Nikon Corporation, Sony Corporation, FUJIFILM Corporation, and Carl Zeiss AG among others. These companies are considered as key manufacturers of Cinematography Lenses based on their revenue, research & development (R&D) activities, regional presence, and supply chain management system.
  • The players are adopting key strategies such as merger, acquisition, and geographical expansion in order to strengthen their market position.
  • For instance, on July 1, 2020, Carl Zeiss AG added three full frame, high-speed lenses to the high-end ZEISS Supreme Prime series of cine lenses. These lenses include 18 mm T1.5, 40 mm T1.5, and 200 mm T2.2, which closed the gap between the 35 and 50 millimeter focal length.
  • On April 20, 2020, Canon Inc. announced the launch of the CINE-SERVO 25-250mm T2.95-3.95 (CN10x25 IAS S), a CINE-SERVO cinema lens designed for the use with 4K cameras.
  • On September 5, 2019, FUJIFILM Corporation launched Premista80-250mmT2.9-3.5 telephoto zoom lens, which is a second zoom cinema lens in the Premista Series with high resolution and rich gradation with high dynamic range (HDR).

5 Global Cinematography Lenses Market By Manufacturers

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FAQ Section

Some frequently asked quetions about this report!

Additional company profiles can be provided on request.

Yes, the report covers product specific information such as entry-class, medium-class, and high-end-class cinematography lenses.

According to the GROWTH MARKET REPORTS report, the market from cinematography lenses is likely to register a CAGR of 3.2% during forecast period 2020-2027, with an anticipated valuation of USD 4,184.7 million by the end of the 2027.

The global cinematography lenses market report provides the additional data such as overview of latest introductions in lens technology and information related to the new product launches over past five years.

The market is driven by the factors such as increasing demand for full-frame cinematography lenses, rapid growth of the film industry, high demand for the production of 3D animated movies & TV content.

Factors such as competitive strength and market positioning are key areas considered while selecting top companies to be profiled.

The market is expected to witness a decline of ~3.0% in 2020 as compared to 2019 owing to the negative impact of COVID-19.

The base year considered for the global cinematography lenses market report is 2019. The complete analysis period is 2017 to 2027, wherein, 2017 & 2018 are the historic years and the forecast is provided from 2020 to 2027.

The amateur and professional cinematographers across the globe are the key end users driving the market growth.

Major Manufactures include Canon Inc., Nikon Corporation, Sony Corporation, FUJIFILM Corporation, and Carl Zeiss AG.