According to a recent market study published by Growth Market Reports, titled, “Global Broadcast Camera Market By Resolution, By Camera Type, By Sensor, By Sensor Size, By Application, and By Region: Size, Share, Trends and Opportunity Analysis, 2016-2031”, the market was valued at US$ 3,862.68 Million in 2022 and is anticipated to grow at a growth rate 5.8% by the year 2031.

Broadcast cameras are typically used in high-traffic, on-location settings. Their small, lightweight design is great for capturing the action on the go. Some broadcast cameras also allow for remote operation, allowing operators to operate the camera without needing to be physically near it.

Broadcast cameras are driven by factors increasing demand for live broadcasting and the growing media and entertainment industry. Further, demand for compact and portable broadcast cameras is on the rise owing to the increasing number of short filmmakers and vloggers. Factors such as high initial costs can hamper the growth of the market. Increased usage of 3D cameras can create lucrative growth opportunities for the market during the forecast period.

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Many broadcasts cameras support HDR imaging, allowing the camera to capture a wider range of brightness levels. HDR is important for delivering a more immersive and visually appealing viewing experience, especially in live broadcasts and sports coverage. These cameras often come with features tailored for live broadcasting, such as fast autofocus, low latency, and image stabilization. They are optimized for capturing dynamic and fast-paced events in real time. In medical education, broadcast cameras are used to capture surgeries and medical procedures for training purposes. Live broadcasts of surgeries are also employed for educational and training purposes.

The Global Broadcast Camera Market has been significantly affected by the COVID-19 outbreak. The COVID-19 pandemic has had a significant impact on North America, Europe, Asia Pacific, Latin America, and the Middle East and Africa. Supply chain disruptions, such as challenges in procurement and production, resulted in periodic shortages and delays in product availability. Many film and television productions were put on hold or delayed due to the pandemic. This delay in projects and events impacted the demand for new broadcast cameras and related equipment. The pandemic accelerated the adoption of remote production workflows. Broadcasters and content creators increasingly explored solutions that allowed for decentralized production using remotely operated cameras, reducing the need for on-site camera crews.

Key Takeaways from the Study:

  • Key players operating in the market ARRI, Sony Corporation, Panasonic Corporation, Grass Valley USA LLC, Hitachi Kokusai Electric Inc., Blackmagic Design Pty Ltd, Canon Inc., JVCKENWOOD, Red.com Inc., Silicon Imaging Inc., Aaton Digital SA, JVC Kenwood Corporation, and RED Digital Cinema. These companies are considered prominent manufacturers of Broadcast Cameras based on their revenue, research development (R&D) activities, regional presence, and supply chain management system.

  • Based on Resolution, the Global Broadcast Camera Market is segmented into 2K, 4K, 6K, and 8K. A 4K streaming camera is one of the recently accomplished capturing technologies for videography and broadcasting. The choice of resolution depends on the specific requirements of the production, the target audience, and the distribution channels. While HD cameras remain prevalent in many broadcasting scenarios, there is a growing trend toward higher resolutions, driven by advancements in display technologies and the demand for more immersive viewing experiences.

  • Based on Camera Type, the Global Broadcast Camera Market is segmented into System Cameras, Camcorders, PTZ Cameras, and Others. The market comprises various camera types designed to cater to specific needs within the media and entertainment industry. PTZ cameras offer remote-controlled pan, tilt, and zoom functionalities, providing flexibility for remote operation and automation in live productions.

  • In terms of Sensor, the Global Broadcast Camera Market is segmented into CCD (Charge-Coupled Device), and CMOS (Complementary Metal-Oxide-Semiconductor). CMOS cameras have revolutionized the fields of cell imaging and molecular imaging, providing accurate and detailed information about cellular and molecular processes. e-con Systems offers high-performance CMOS cameras designed for cell imaging and molecular imaging, featuring high sensitivity, HDR, high resolution, low noise, and high imaging speed. CCD sensors are traditional imaging sensors known for their high-quality image capture and low noise levels. They are commonly used in professional broadcast cameras.

  • In terms of Sensor Size, the Global Broadcast Camera Market is segmented into 35mm full-frame Sensors, 2/3 Inch Sensors, 1/4 Inch Sensors, 1/2 Inch Sensors, and Others. The size of the sensor that a camera has ultimately determines how much light it uses to create an image. It consists of millions of light-sensitive spots called photo sites which are used to record information about what is seen through the lens. Therefore, it stands to reason that a bigger sensor can gain more information than a smaller one and produce better images.

  • In terms of Application, the Global Broadcast Camera Market is segmented into Off Field (Studio), and On Field. The Off-field (Studio) segment has dominated the largest market share in 2022. The rise in the entertainment industry has created a global rise in the production of TV serials, movies, short films, and others. These cameras are used in both studio settings and on location to capture high-quality visuals for broadcast.

  • Based on Regions, the Global Broadcast Camera Market is segmented into North America, Europe, Asia Pacific, Latin America, and Middle East and Africa (MEA). Demand for Broadcast Camera in Europe is expected to register significant growth in the coming years, the increasing availability of advanced technologies affecting cinematography supports the growth of the market in this region. Rising product premiumization is propelling digital broadcast and cinematography has market growth through the forecast period. The growth of broadcasting cameras in the Asia Pacific is primarily driven by a convergence of high technologies such as 4k resolution.

Report Scope:

Report Metric

Details

Market Value in 2022

US$ 3,862.68 Million

Market Growth Rate (from 2016 to 2031)

5.8%

Historical Data

2016 - 2021

Base Year

2022

Forecast Period

2023 - 2031

Units Considered

Value (US$ Million)

Market Segments

By Resolution, By Camera Type, By Sensor, By Sensor Size, By Application, and By Region

Key Companies Profiled

ARRI, Sony Corporation, Panasonic Corporation, Grass Valley USA LLC, Hitachi Kokusai Electric Inc., Blackmagic Design Pty Ltd, Canon Inc., JVCKENWOOD, Red.com Inc., Silicon Imaging Inc., Aaton Digital SA, JVC Kenwood Corporation, and RED Digital Cinema

Customization Scope

Report customization available on request

Pricing and Purchase Options

Avail tailor-made purchase options to meet your research requirements.


Target Audience:

  • Supply-side: Manufacturer, Distributors, and Supplier.

  • Demand Side: Cinematography Industry, Educational and Corporate Video Production, Clinics and Sports Broadcasting, Camera & Imaging Products Association (CIPA), and The Association of Camera Operators